The Goethe-Institut/Max Mueller Bhavan and Ranga Shankara are presenting a dance-theatre performance by the Ben J. Riepe Kompanie from Düsseldorf, Germany.

Event: Love | Death | Devil – The Piece

A Dance-Theatre Performance by the Ben J. Riepe Kompanie

Date: November 29, 2009

Time: 7.30 p.m.

Venue: Ranga Shankara

Age limit: 18 years and above

Tickets: Rs. 200 available at Ranga Shankara, www.indianstage.in and the Goethe-Institut

More information at the Bhavan: 25205305/6/7/8 or on our website: www.goethe.de/bangalore

The Düsseldorf-based choreographer Ben J. Riepe’s latest work is based on the five-part performance series Practise seeing beauty – Love, Death and the Devil that he created with his company in 2008.

This production starts off where the performance series with its different formats (installation, stage pieces, outdoor-performance) new techniques and means of artistic expression left off. The production is characterised by a synthesis of precise choreographic management of time, movement, space and context on the one hand, and the individual improvisational creativity of all involved artists on the other. And by a delight in powerful images and baroque costumes.

Aesthetic and macabre scenarios emerge from within the depths of the play creating that the audience can enjoy like a glamorous and puzzling parade of pictures.

Ben J. Riepe:

Ben J. Riepe, who studied at the Folkwang-Hochschule in Essen and later worked with V.A. Wölfl and as a guest dancer in Pina Bausch’s Ensemble, founded his own ensemble in 2004. In March 2009 he was selected as one of four choreographers for the promotion of elites of North-Rhine-Westphalia. With his productions he is on a quest for critical and future-oriented art that transcends the viewer’s and his own artistic expectation with means that are beyond psychologisation, narration and the conventions of contemporary dance.

Ben J. Riepe and his troupe are in India to participate in the World Dance Alliance Annual Summit at New Delhi and will perform in Chennai and Hyderabad before taking the stage in Dhaka, during their South Asia tour.

For interviews with the troupe, please contact : 9243100911

and

India Foundation for the Arts

present

Arts Education: Contexts, Concepts, and Practices in Schools

Dec 11 – 12, 2009

The Chancery Pavilion, Bangalore

The Goethe-Institut/Max Mueller Bhavan, Bangalore and India Foundation for the Arts(IFA) are jointly hosting an Arts Education Conference on December 11 – 12, 2009 at The Chancery Pavilion, Residency Road, Bangalore. This conference, perhaps the first of its kind in the country is an extension of Kali-Kalisu a project undertaken by IFA in partnership with the Goethe Institut/Max Mueller Bhavan to empower the school teacher through arts pedagogy training workshops under one of IFA’s major funding programmes, Arts Education. This initiative brought multi-pronged Arts Education workshops to over 500 teachers in rural and small-town Karnataka covering Shimoga, Dharwad, Bidar, Gulbarga, Udipi, Coorg and Mandya districts.

This conference hopes to articulate frameworks and directions for Arts Education in the country and will involve a broad range of stakeholders, including policy makers, educationists, administrators, parents and students in the deliberations. Some of the key speakers and discussants of the conference include Prof. Shiv Visvanathan, Mr. Rohit Dhankar, Mr. Karthikeya V. Sarabhai, Mr. Dadi D. Pudumjee, Ms. Maya Krishna Rao, Mr. Sadanand Menon, Mr. Akshara KV, and Dr. Shekhar Seshadri.

The Goethe-Institut is the cultural institute of the Federal Republic of Germany with a global reach. Known in India as the Max Mueller Bhavan, the Institut promotes knowledge of the German language abroad and fosters international cultural cooperation. Among other goals in the cultural arena, the Goethe-Institut lays major emphasis on executing and supporting projects that focus on capacity building and infrastructure.

India Foundation for the Arts is an independent, professionally-managed philanthropic organisation, based in Bangalore. IFA enriches the practice, knowledge, public access to, and experience of the arts in India, by providing strategic support for innovative projects and capacity building across the arts.

menaka@indiaifa.org or 080 23414681

As a tribute to one of India’s greatest playwrights, Vijay Tendulkar, who passed away in 2008, Ranga Shankara produced an adaptation of one his masterpieces, “Ashi Paakhare Yeti”, in Kannada. It is a play that has been performed in several Indian languages such as Hindi, Gujarati and Kannada apart from the original in Marathi. With Hakki Harutide Nodidira, Ranga Shankara taps and brings together the best of veteran and young theatre talent in Bangalore. The play premiered on July 17th 2009.

Interestingly, prominent actresses in our midst have played the role of the heroine, Saraswathi (Saru), in various languages. Arundhati Nag has essayed the role in Urdu while B Jayashree has done it in Kannada.

The play is directed by Manav Kaul from Mumbai. Manav Kaul is an actor, writer and director, who has won much acclaim for work like “Shakkar ke Paanch Daane”.

Ranga Shankara’s popular Kannada production, “Hakki Harutide Nodidira” will be performed at Ranga Shankara on Fri Nov 20th and Sat Nov 21st at 7:30 PM.

As a tribute to one of India’s greatest playwrights, Vijay Tendulkar, who passed away in 2008, Ranga Shankara produced an adaptation of one his masterpieces, “Ashi Paakhare Yeti”, in Kannada. It is a play that has been performed in several Indian languages such as Hindi, Gujarati and Kannada apart from the original in Marathi. With Hakki Harutide Nodidira, Ranga Shankara taps and brings together the best of veteran and young theatre talent in Bangalore. The play premiered on July 17th 2009.

Interestingly, prominent actresses in our midst have played the role of the heroine, Saraswathi (Saru), in various languages. Arundhati Nag has essayed the role in Urdu while B Jayashree has done it in Kannada.

The play is directed by Manav Kaul from Mumbai. Manav Kaul is an actor, writer and director, who has won much acclaim for work like “Shakkar ke Paanch Daane”.

The tickets are available at Ranga Shankara and www.indianstage.in. For more details please contact Ranga Shankara at 26493982.

Details of the performance

Name

Hakki Harutide Nodidira

Language

Kannada

Dates

Fri Nov 20 and Sat Nov 21

Time

7:30 PM

Duration

90 minutes

Venue

Ranga Shankara, JP Nagar

Age Group

Above 8 Years

Ticket Price

Rs 70

–
Ranga Shankara
36/2, 8th Cross
J P Nagar, II Phase
Bangalore – 560 078
P: 080-26493982 / 26592777
E: rstheatre@gmail.com
W: www.rangashankara.org

The tickets are available at Ranga Shankara and www.indianstage.in. For more details please contact Ranga Shankara at 26493982.

SIGNS
a series of 5 short plays in complete the story style
a Yt’angle initiative( Yours Truly angle for children)
officially launching with this show.

SHOW DETAILS
Name of Play: Signs
Duration: 2 hours
Start Time: 10:00 am
Date: November 14, 2009
Venue: ADA Ranga Mandira, JC Road, Bangalore

Ticket – Rs 50/-
To book tickets call 9845853093/9845243051

Make this children’s day a special one for your child.
Inviting children above 7 years, along with parents/relatives.

About Signs:
A series of 5-short stories performed in ‘complete the story’ interactive theatre style where children get to discuss and decide how these short stories should end. These endings are then enacted by the actors on the spot. The themes of these short stories deal with Children and their world, their happiness, success, hopes and fears. These themes cut across barriers and attempts to celebrate childhood in the true spirit.

About the initiative – Yt’angle (Yours Truly Theatre angle for Children)
Ytangle is an initiative started by Yours Truly Theatre with an attempt to reach out to children who have limited quality entertainment. These interactive theatre performances will give hildren a well deserved break from cartoon channels and video games. Children are normally under all time pressure to learn & perform, rarely do they get a chance to be just an audience. Here they get to enjoy live performance and involve themselves in the ancient story telling traditions.

–
Yours Truly Theatre
www.yourstruly-theatre.com
9845853093| 9845243051

It was indeed heartening to see the enthusiastic lineup of children just before the play, and I was also impressed that Sankar’s Cafe at Ranga Shankara also has a Readng Corner for children now. Theatre and allied activities seem to be actively encouraged at Ranga Shankara and this is a great thing to see.

“Zapperdockel and the Wock” is the story of two very different creatures, Zapperdockels being small, and the Wock being a very large being. A Zapperdockel is also a crybaby.How these two interact and learn to get along is the story of the one-hour play.

Throughout the play, I was impressed by the reaction of the children in the audience (the play blurb says it’s for children “4 and above”.) A crowd of them were also invited on to the stage, and they were clearly enjoying themselves.

Virginia and Anil Kumar (I don’t know if I got the male name right, though) were the puppeteers who brough the puppets to life, and with innovative props, excecuted a variety of tricks and capers on stage that had the children constantly amused, and, occasionally, enthralled, as when they lit a flame under a plastic bag, and sent it soaring up into the air.

Walking sticks that acted as scales, hats that filled with flour, a box that opened this way and that…the props were very inventive and creative, and the rectangle described by the ropes onstage created a stage within a stage where all the action happened.

I thoroughly enjoyed the music, too; it was composed by Kumaresh of the famous violinist duo, Ganesh and Kumaresh, and sometimes consisted of purely Carnatic renditions, sometimes percussion passages, and sometimes a violin duet…it was a delight to the ear at all times.

The puppets, made by Anurupa Roy of Kat Katha, were also lovely to behold, with several Wocks taking the stage at one time, but mostly having a blue-coloured Wock iinteracting with a littleyelllow Zapperdockel.

However, I must say that perhaps I was too old for the narrative: I could not follow the thread of the story too well, and sometimes it seemed to drag. Some of the tricks on stage seemed to really have nothing at all to do with the play at all..though perhaps, with the age of the audience tragetted, no such connection was necessary. I never felt that I had got the message that Aru gave the children just prior to the show…that the play was to show how different people can get along together.

I would like to make the point, however, that young children need not always feel that magic-type tricks and slapstick comedy are the only things that comprise theatre for children; I think they are capable of appreciating more sophisticated storylines and stagecraft than what I witnessed at Ranga Shankara yesterday. Personally, I felt that the play could have been cut short to even 40 minutes, and could have done with a more predominant, sequential thread running through it. The two Sutradhars did not always seem to have a “sutra” to convey to the audience.

Ranga Shankara is putting up four more plays as part of the fifth anniversary celebrations, for more details, please visit

http://www.rangashankara.org/

All the plays have been staged before, but are being brought back by popular demand.

Show Details : October 24th , Saturday (4:30 PM & 7:30 PM)
Contact No’s : 9880036611 & 9845017975
Online Booking: www.indianstage.in

About the Play :

[sic] takes place primarily in the doorways and shared hallway of three neighbouring apartments. Meet Theo, the desperate & edgy
amusement park ride theme music composer, the struggling and ever-broke writer Babette, and Frank, the queer, happy-go-lucky
aspiring auctioneer. See them humorously trudge through the haunting morass of everyday drudgery and the biting emptiness of big city life. Watch, as the three of them come together to discuss, flirt, argue, share their dreams and plan their futures with unequal degrees of deep hopefulness and abject despair. [sic], chosen as one of the Best American Plays of 2002, is a neurotic, bittersweet comedy about the “quarter-life crisis”, and unfolds as three lives collide in one common corridor.

The Course, launched at the Ranga Shankara Theatre Festival 2007, provides a unique opportunity to learn the essence of art appreciation by developing new ways “seeing and listening”.

Renowned culture critic Sadanand Menon will spearhead the Theatre and Arts Appreciation Course 2009. A well-known writer on critical issues of politics and culture, Sadanand Menon is also a photographer and stage light designer. He has served as the Arts Editor for The Economic Times.

The course will examine and discuss theatre, cinema, dance, photography and music over six days (spread over two weekends) through lectures, film screenings, plays, as well as interaction with directors and actors. While bringing together a host of people from different backgrounds, the course will thus look at, and analyse the formal structures of various works of art as well as consider them in the context of the historical period and cultural framework in which they were produced.

The course is open to public from the age of 16 years. The course fee is Rs. 4000 (for six days) and the fee includes lectures, film screenings and tickets to plays. The course fee for students is Rs.500. Students will have to bring their id card during booking to avail this offer.

Registrations are currently open at Ranga Shankara (from 9.30 am to 6.00 pm). As the intake for this course is limited, we request you to please hurry and book your seats in order to avoid disappointment. For more information contact us on 080-26493982 or write to rstheatre@gmail.com

Details of the Course

Dates of the Course

(6 days)

6th – 8th November and 13th – 15th November 2008

Course Fee

Rs. 4000; Students – Rs. 500.

Venue

Will be communicated later; will be in and around Ranga Shankara

Medium of instruction

English

Last day for applying

1 November 2009

Mode of application

Registrations are open at Ranga Shankara till 1 November 2009

Contact

Ranga Shankara office, 26493982

–
Ranga Shankara
36/2, 8th Cross
J P Nagar, II Phase
Bangalore – 560 078
P: 080-26493982 / 26592777
E: rstheatre@gmail.com
W: www.rangashankara.org

The proceeds of the sale will be used to promote education of underprivileged children by providing classrooms, mulitimedia education aids, salaries for teachers etc. Hosur Round Table also funds environmental projects through Kenneth Anderson Nature Society.

A primary school in Kodekarai a remote village in the Melagiris is being adopted by Hosur Round Table by sponsoring the salary of 2 teachers for a year. Thirteen class rooms have been constructed at various remote villages in the last few years and two multimedia education kits (projector, P.C and education material from classes 4 to 10) have been donated recently.

The cracker gift boxes are carefully chosen for quality and they are manufactured by Standard Fireworks. The detailed contents and prices of gift boxes are provided at the bottom of this email. The prices are the best you will get and money goes for a great cause.

Please do support this endeavor by placing your order at this link:

Order Form:

click here

Delivery can be arranged at Bangalore as far as possible at your address or at a convenient pick up point.

I request you to please forward this email to other groups, office bulletin boards, resident associations etc that you may be a part of.

For further details about the various types of firecracker boxes, contact:

Sanjeev Kumar S.R,Vice President,Kenneth Anderson Nature Society.

Mob: 09362321000

For details about the various gift boxes, click

here

Phone:
919880969064
Email:
sujay.kotian@gmail.com

Young artists and photographers come together and display their Art works and photographs flowing in the lines of “Wild” life and what is left of it.

Artists: Abhijna Anand, Arjun Srivathsa,Prashanthi Nerallapalli
photographers: phillip ross, Ramnath Chandrasekhar, Vivek Vellanki

Display and sale of all exhibits, along with handicrafts by MOGHIYAS [ tribal folk of Rajasthan].

proceeds of the sale will be donated for wildlife
CONSERVATION- specifically the critically endangered CROC-GHARIAL and the CAT in peril-TIGER

India represents a uniquely diverse subculture that is built by its people, its history, its religion; and the land itself. Yet preceding all its history is the strongest factor that represents the basis for its culture- its wild nascence.

FERA- the exhibition brings to you, various dimensions of this very essence, with “Symmetry” portrayed in the works of Prashanthi Nerallapalli. With origin of the Earth, it was symmetry in the elements that brought about life; it was symmetry in elements that created the land and the water; it was also symmetry in its abstract form that created religion; and it is this symmetry in culture that India still strongly presents its ancient tradition of old; for even today, its people and wildlife are intertwined within this very symmetry.

Being created by symmetry and having supported life on it is “The Land.” The land that supports its wildlife is displayed in classical landscape artwork by Abhijna Anand. It is a manifestation, on canvas, of the glory of the Himalayas, the pride of the mighty rivers, the blissful solitude of the grasslands and the peace of the evergreen forests.

With this came “Life,” represented in the artwork and photography displays of Arjun Srivathsa, Ramnath Chandrashekar and Phillip Ross. Life, in India is a tradition heavily represented by the wild denizens of the forests. It is ‘the tiger,’ upon whom goddess Durga ascends; ‘the elephant’ representing the union of man with god; ‘the serpent’ associated with Shiva- the destroyer. The Essence of FERA brings many more such displays that portray the wild heritage of India.

However, within such wild and cultural traditions, we see forewarnings in the “The Reality,” of today. With issues ranging from water conservation to rural life that gradually modernizes, to create a major conflict between man and the wild, FERA displays the reality through the photography displays of Vivek Vellanki. Eyes are drawn to the threats faced by our culture; the land; the people and the wildlife.

With its various sub-themes, FERA hopes to spread the message of conservation through artworks and photographs which of course are eventually converted into real time conservation efforts.

Event Coordinators:
Sujay Kotian
Natasha Ballal
Vishnupriya Shankararaman
Vishnupriya Hathwar

we are a caravan of artists who meet every month to share, create and JAM.

and now, we ask the whole city to join in!

read more on www.theatresundays.blogspot.com

theatre Jam turns one this october,

to celebrate the arts and build this movement

we are jamming, all through october

in public spaces of Bangalore.

make theatre jam, your space.

bring your story, art, medium, idea, dreams, memories, tricks…

install, improvise, perform, express

anyone can Participate in the jam activities.

pick a date in October and tell us what you want to do.

most activities will take place in public parks, streets, terraces, basements and markets.

spread the word and encourage more people to participate in the october jam.

BARE NECESSITIES

yes, indeed, we have some running costs! We roughly need about a lakh for travel for outstation artists, food, publicity, coordination, chai-pani. So if you pledged some donation to us, it would get a few things moving! Just mail us if you want to contribute at

info@maraa.in

or call us on

080-4148-8264.

You could also offer spare rooms and couches for outstation artists. food, water, travel, coffee/tea will help cut costs. we need people to shoot, update, collate and coordinate. volunteer. Get in touch.